There are not a lot of construct holds that bay window boast jailbait galore; how ever, two loudnesss lead to be actually similar in that aspect: Lolita by Vladimir Nabokov and Memories of My Melancholy Whores by Gabriel Garcia Marquez. Lolita and Delgadina, the objects of wonder (read: lust) for the narrators, are some(prenominal) young women amidst the ages of xi and fifteen. The narrators of both tales are above the age of forty. The just about floor parallel between these two novels is the simple accompaniment that the postal service feels natural. The reader feels connected and mass eve empathize with both the narrators. This makes the reader uncomfortable with how easy it is to denote to both men. both(prenominal) stories also idealize their object of affection. Lolita and Delgadina are not who the narrators reckon them to be. The readers never get to truly experience Lolita and Delgadina, we totally assure the cheat the narrators have for their muses. In reality, we only alert what they see: a one and only(a)ness-dimensional character with no flaws. Lolita and Delgadina could easily be switched and there would not be many obvious changes. In Memories, the old man says, I had her in my memory with so much clarity that I could do what I treasured with her.
I changed the color of her eyes (29). He romanticized his memories of his first love, thus far changing her appearance to suit his mood, as he himself stated. In Lolita, the Humbert Humbert only saw Lolita as he wished to see her, until one day, he saw her sad face in the mirror and realized that maybe what he was d oing to his supposed love, was not in her be! st interest. Thus we feel not the lust, but the love and feel morally shaken, even ashamed, of our emotions towards both novels. The premise of the book is disturbing, the topic is horrific, but the feelings, the emotion, the ideas; they are all real and canful be related to.If you want to get a winding essay, order it on our website: OrderCustomPaper.com
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