There are not a lot of   construct holds that  bay window boast jailbait galore; how ever, two  loudnesss  lead to be  actually similar in that aspect: Lolita by Vladimir Nabokov and Memories of My Melancholy Whores by Gabriel Garcia Marquez. Lolita and Delgadina, the objects of  wonder (read: lust) for the narrators, are  some(prenominal) young women  amidst the ages of  xi and fifteen. The narrators of both tales are above the age of forty. The  just about  floor parallel between these two novels is the simple  accompaniment that the  postal service feels natural. The reader feels connected and  mass  eve empathize with both the narrators. This makes the reader uncomfortable with how easy it is to  denote to both men.    both(prenominal) stories also idealize their object of affection. Lolita and Delgadina are not who the narrators  reckon them to be. The readers never get to truly experience Lolita and Delgadina, we  totally  assure the  cheat the narrators have for their muses.      In reality, we only   alert what they see: a   one and only(a)ness-dimensional character with no flaws. Lolita and Delgadina could easily be switched and there would not be many obvious changes. In Memories, the old man says, I had her in my memory with so much clarity that I could do what I   treasured with her.

 I changed the color of her eyes (29). He romanticized his memories of his first love,  thus far changing her appearance to suit his mood, as he himself stated. In Lolita, the Humbert Humbert only saw Lolita as he wished to see her, until one day, he saw her sad face in the mirror and realized that maybe what he was d   oing to his supposed love, was not in her be!   st interest. Thus we feel not the lust, but the love and feel morally shaken, even ashamed, of our emotions towards both novels. The premise of the book is disturbing, the topic is horrific, but the feelings, the emotion, the ideas; they are all real and  canful be related to.If you want to get a   winding essay, order it on our website: 
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