Gustave Courbets Reclining Nude Essay -- Courbet Painting Art Nude Es

Gustave Courbets Reclining naked In the Philadelphia Museum of Art ar five paintings by Gustave Courbetof all of these I effect Reclining Nude (1868, Oil on canvas, The Louis &Stern Collection, 63-81-20) the most interesting. It depicts a nude statue statue womanlying on the beach beneath a soar up canopy. A menacing, but tranquil sea isin the background. The sky is glowering as if the final rays of the sun weredisappearing over the horizon. There ar a few clouds in the sky, they argondark but non threatening. The picture is very dark in general and there isno obvious light source. The edges of the painting are so dark it is infeasible to tell what the nude reclines against. A very dim light fall on the woman, who lies on her right side. Theupper half of her torso is misshapen to her left and her hips and legs facethe viewer. Her right leg is bent meagerly so her calf is beneath herstraightened left leg. The woman is not as repress as classical nudes, herhips ar e somewhat broad and her thighs are meagerly heavy. Her build up arecrossed languidly over her head. Because her blazon are crossed over herhead, her face is almost completely in the shadows this shadow coversthe detail of her face in such a way that she could be almost any i. Shegazes wistfully at the ground to her left. The woman is rendered very thinly and is in a very sensuous pose. Thispicture would have been instal scandalous for its sexual overt mavens as wasCourbets La Demoiselles au bord de la Seine. A scarlet cloth lies infront of her it has a very disarrange look which has sexual implications. Thevacant, wistful look and the languid crossing of her arms suggests that sheis slenderiseking of a lover who has just left her. The car... ...f vision one is more able to appreciate Courbets careful attentionto the curves and anatomy of the womans body, as well as his eye for smalldetail such as the two tiny boats on the horizon. While many critics ofCourbets ti me could not understand his choice of overpower matter, theycould appreciate his execution of the take matter. Gustave Courbets subject matter may not have been understood orconsidered victorian in his day, but now they are considered to be moreacceptable. One, whether of the former(prenominal) or present, must appreciate histechnical abilities his mastery of line, form, and balance. Though his neglect of color is disappointing, the picture in itself is very pleasing tolook at because it is such a tran- quil, restful scene. While Courbet wasnot totally comprehended in his day, he is in these times considered to bean excellent artist. Gustave Courbets Reclining Nude Essay -- Courbet Painting Art Nude EsGustave Courbets Reclining Nude In the Philadelphia Museum of Art are five paintings by Gustave Courbetof all of these I prove Reclining Nude (1868, Oil on canvas, The Louis &Stern Collection, 63-81-20) the most interesting. It depicts a nude womanlying on t he beach beneath a wallow canopy. A dark, but tranquil sea isin the background. The sky is dark as if the final rays of the sun weredisappearing over the horizon. There are a few clouds in the sky, they aredark but not threatening. The picture is very dark in general and there isno obvious light source. The edges of the painting are so dark it is unsufferable to tell what the nude reclines against. A very dim light locomote on the woman, who lies on her right side. Theupper half of her torso is misshapen to her left and her hips and legs facethe viewer. Her right leg is bent slightly so her calf is beneath herstraightened left leg. The woman is not as thin as classical nudes, herhips are somewhat broad and her thighs are slightly heavy. Her arms arecrossed languidly over her head. Because her arms are crossed over herhead, her face is almost completely in the shadows this follow coversthe detail of her face in such a way that she could be almost anyone. Shegazes wistfu lly at the ground to her left. The woman is rendered very softly and is in a very sensuous pose. Thispicture would have been be scandalous for its sexual overtones as wasCourbets La Demoiselles au bord de la Seine. A scarlet cloth lies infront of her it has a very rumpled look which has sexual implications. Thevacant, wistful look and the languid crossing of her arms suggests that sheis thinking of a lover who has just left her. The car... ...f vision one is more able to appreciate Courbets careful attentionto the curves and anatomy of the womans body, as well as his eye for smalldetail such as the two tiny boats on the horizon. While many critics ofCourbets time could not understand his choice of subject matter, theycould appreciate his execution of the subject matter. Gustave Courbets subject matter may not have been understood orconsidered befitting in his day, but now they are considered to be moreacceptable. One, whether of the onetime(prenominal) or present, must ap preciate histechnical abilities his mastery of line, form, and balance. Though his want of color is disappointing, the picture in itself is very pleasing tolook at because it is such a tran- quil, restful scene. While Courbet wasnot totally appreciated in his day, he is in these times considered to bean excellent artist.