Lust, Loss, and Immorality in the Little Mermaid Essay -- Fairy Tale C

The critical Mermaid Of Lust, Loss, and Immortality under(a) the sea, in an idyllic and beautiful garden, stands a statue of a materialization mankind cut out of cold stone for the Little Mermaid who knows nothing further the sea, the statue stands as an emblem of the mysterious over- macrocosm, a stimulus for imagination and cozy desire, an incentive for expansion of experience, and most predominately, an indication that something great and all-encompassing is wanting from her existence. Traces of curiosity and a vague indication of the complexities of adult desires mark the fry mermaid in such a stage of development, the statue will suffice. However, as the Little Mermaid reaches puberty, the statue must allegorically come alive in order to tally the manifestation of her new-found adult desires the statue must become a prince in his world of adulthood above the sea. Thus, powered by an insistent and ambiguous impulse for self-completion, the Little Mermaid embarks on a journey of self-discovery, and, to her ultimate misfortune, prematurely abandons her child-like self as sexual lust and the lust for an adult life takes hold in of her. The paradisiacal kingdom under the sea is symbolic of childhood. At the onrush of the story, the sea kingdom is described where the waters are as coloured as the petals of the cornflower and as clear as glass, there, where no undercoat can reach the bottom, and where one would have to pile many church towers on top of each other in order to reach the get hold (Andersen 217). The sea describes the deep consciousness of the Little Mermaid as a young child, which is characterized by emotion, beauty, imagination, purity and innocence - representative successively of the water, flowers, the imaginative sim... ...rom an torturing mistake offers hope. Works Cited Anderson, Hans Christian. The Little Mermaid. Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto Broadview, 2002.Cas hdan, Sheldon. The charm Must Die The Hidden Meaning of Fairy Tales. New York elemental Books, 1999.Collins, Emily. Nabokovs Lolita and Andersons The Little Mermaid. Nabokov Studies 9 (2005) 77-100. 10 Oct. 2006. http//muse.jhu.edu.login.ezproxy.library.ualberta.ca/journals/nabokov_studies/toc/nab9.1.htmlEasterlin, Nancy. Hans Christian Andersens Fish out of Water. Philosophy and Literature 25 (2001) 251-77. 6 Oct. 2006. http//muse.jhu.edu.login.ezproxy.library.ualberta.ca/journals/philosophy_and_literature/v025/25.2easterlin.htmlPil, Dahlerup. slush Six Views of The Little Mermaid. Scandinavian Studies 62 (1990) 403-429.