Still Be Neat | Delight in Disorder | Analysis

Still Be groovy capture in Disorder AnalysisBen Jonsons meter, Still to Be Neat, and Robert Herricks song, Delight in Disorder, both argue the newspaper publishers of indwellingness. While both poems have similar understructures, their move up to the subject of nontextual matter are opposite. Jonson uses a discreet approach, while Herrick is more than up front and tripping. The structure, word choice, and diction of each poem helps go on their argument of natural violator. This is significant in cover how Jonson and Herricks poems both argue the beauty in genius and cheat, and thus sho lucreg that being natural and untroubled is preferable to meticulous concealment.The syntax of Still to Be Neat and Delight in Disorder aid in getting the theme across to the lector. both poems are in the meter of iambic tetrameter. Stresses on the syllables in the haggling dress and the o in disorder show, in Herricks poem, that the order of the dress is the main argument of t he poem. The syllables in the words elegant and dressed are stressed to show the central subject of the poem. Jonsons poem is two stanzas while Herricks poem is only one stanza. In the scratch stanza of Jonsons poem, the speaker unit describes a cleaning lady with her makeup on and the second stanza describes a vision of the woman without her makeup. The single stanza of Herricks poem is a continuous estimate that can non be broken up. This shows that the speaker cannot think more or less anything else except the woman of the poem. Herricks one stanza consists of 14 lines that describe the sweet disorder the speaker mentions in line 1. The first 12 lines are very stretched rhymes that are a little chaotic. These lines represent the chaos of the vesture. Jonsons poem is 12 lines that has a uncanny rhyme at the beginning of the poem. The words dressed and feast do not rhyme as well as the rest of the rhymes in the poem. This could be stressing that the attention to details, i n writing or in dressing, is not always important. Each poem consists of rhyming pairs throughout the solid poem. The self-consistent pairs represent the perfection women believe they must achieve. The banter of the rhymes present to the reader how Herrick and Jonson prefer that the attention to getting dressed should not be so serious. This is significant in showing that the structure of the poem adds to the themes of natural and unworried beauty.Herricks approach to the theme is more mischievous when being compared to Jonsons poem. Delight in Disorder is a cavalier poem, which justifies the use of playful every(prenominal)iteration such as winning wave (line 9). Line nine states Ribbons to flow confusedly / A winning wave, deserving note. The aloneiteration gives the poem a lighthearted tone. The word winning delegacy to conquer and wave means to swing to and fro (winning, wave, Oxford English Dictionary). The ribbons are waving in a neglectful mode that the speaker enj oys. This carefree manner can be seen throughout the whole poem. Words such as distraction, neglectful, confusedly, careless, and wild, describe the disorder of the clothes inwardly the poem (lines 4, 7, 8, 11, 12). The words sweet, fine, winning, deserving, and tempestuous, describe the delight the speaker views within all the disorder (lines 1, 4, 9, 10). The whole poem is a sweet disorder due to its silly rhymes and its perfect rhyme at the end of the poem (line 1 and PJ Emery). The chaotic rhymes represent the disorder and the last couplet represents the sweetness of the disarray.Herricks playfulness reveals itself in the lines that describe pieces of clothing. The clothing brings the readers attention to body parts. For example, the speaker states A lawn about the shoulders thrown/ Into a fine distraction (lines 3-4). The piece of linen paper attracts the speaker to stare at the womans shoulders. The linen is not carefully frame in place on the shoulders of the woman, but s ooner thrown about in a carefree manner. This use of heedlessness attracts the speaker the most because it is not precise. The word distraction is a distraction itself due to its spelling. It is a play with words that give the poem its good-humored tone. The speakers association with clothes and body parts give the poem a sexual tone. The speaker states A careless shoestring/Do more bewitch me than when art/ Is too precise in every part (lines 11, 13-14). Carelessly primed(p) pieces of clothing attract the speaker to the woman. He would rather see a chaotic mess of clothes thrown on rather than a neatly placed outfit. The negligence of the outfit is what attracts the speaker. This is significant in showing that the speaker feels the disorder in dressing is what makes the woman beautiful.Jonsons approach to the theme is less upfront. The speaker urges his love to show him her natural beauty rather than the facade she puts on every second of the day. The word lighten is throughout the whole first stanza. According to the Oxford English Dictionary, the word still means always and continuously without change. The speaker uses this word when saying Still to neat, still to dressed/ As you were going to a feast (lines 1-2). Being over-dressed all the time is not what attracts the speaker. The speaker states Give me a look, give me a face/ That makes comfort a grace, which urges the speakers love to reveal her true beauty. He prefers the less complicated face over the one with makeup that hides the truth. Phrases and words such as simplicity, loosely flowing, free and sweet neglect are what attract the speaker the most (lines 8, 9, 10). These words describe a carefree approach to life that the speaker would favor his woman to live. Thus, showing that simplicity is preferable than forced beauty.The speaker of Still to Be Neat does jimmy the physical appearance of a woman. In the last three lines of the poem the speaker says Such sweet neglect more taketh me/ Than all adulteries of art./ They devolve mine eyes, but not my heart (lines 10-12). Although the makeup is appealing possess on the surface it does not affect the speakers heart, which really matters. The speaker is not satisfied with arts hid causes because they do not reveal the true nature of the woman (line 5). Physical beauty is not what the speaker seeks but seeks a deeper connection. This is significant in showing that beauty is not all it takes to win a mans heart.Both poems discuss art. Herrick refers to the art of dressing. Jonson refers to the art of dressing as well as the art of adultery. Jonson poems for a sexual tone in line 11 when the speaker states that the negligence of the clothes attract him more than the adulteries of art (line 11). This line shows how much power the art of dressing has on the speaker. Dressing playfully can prevent the speaker from cheating. Herrick finds a sincere piece of clothing tempestuous due to its confusing manner (line 10). Both poets display the themes of nature and art are in association with clothing throughout each poem.The art of dressing should not be principled order but a relaxed mess. Both Herrick and Jonson show in their poems that art is better when it is natural rather than concealing it to look perfect. Herrick takes a more mischievous route, while Jonson is more discreet but still shows a lighthearted side. Each poets approach varies but the message of natural beauty is consistent in both poems.